About the latest painting in his Highway 50 series, Lloyd Brown writes:
"I happen to be fond of architectural form, whether it be the lift of a high-rise condominium, a picture frame that sharpens the breadth of a painting, or the inverted shape of a tapered paper cup, that is all about volume and circumference. Even a blank sheet of paper, feels complete to me. I see no separation between the artwork and the surface that supports it. Picture plane and paint are both significant. Within the panels of Martin Avenue, I wanted to get away from the constraint of vertical rectangles. I didn’t want the sequence to hang as pillars of 2-dimensional space. The shape of a rectangle amplifies the impression of a plane. It is difficult to experience a sensation of space within the confines of a shape so stable. The squared up framing of information, resists the influence of horizontal spin and the impact of gravity. The rectangle offers no possibility for periphery, or a chance to be distracted. Without the sweep and dive of perspective, it is hard to know where you are. Imagery becomes a flat abstraction, a postcard kind of a thing that can’t be inhabited. The perception of space is dependent on a perspective that is hard to achieve within limitations of a standard rectangle. That is why when I photograph a place, the process almost always involves more than just one picture.
The panels were designed to amplify sky. However, they happen to point in every direction. Although the shape favors the pitch of the rooftop and the angle of the left corner, the structure also leans to the right, encouraging you to repeatedly take in every direction. That bit of visual wanderlust embraces the nature of place. You no longer remain a spectator outside the picture plane. The depiction of a moment in time, begins to take on a note of recognition that hopefully extends a little beyond the limits imposed by 2-dimensional space. I hope the painting has a presence, a sense of atmosphere, close enough to provoke a feeling of kind of like being there. And if you happen to know this sort of place, the landscape, much like a song, becomes your narrative."
Full Media: acrylic on six shaped ragboard panels in artist-made frames |
